The Tape Echo is a faithful recreation of the highly sought after Echoplex EP3 tape delay. The original unit made its appearance in 1969 and was immediately adopted by musicians and guitar players as the standard for delay effects.
The principle behind it is a that of a traditional analog recording machine, where incoming signal is printed by a tape head onto magnetic 1/4” tape. A second tape head placed afterwards plays back the recorded signal creating the delay effect. Varying the distance between the two heads determines the delay time.
New Echoflex Tape Echo studio effects processor
The IK Multimedia Tape Echo takes all of the analog “imperfections” of moderate headroom class A electronics coupled with magnetic tape into account and puts them under user control, with the advantage of software flexibility and power: BPM syncable delay times, stereo operation for two independent delay lines, complete automation.
All of the electronics and tape behavior have been closely matched: from tape hiss, wear and wow and flutter to AC line hum (selectable among US and UE voltage); with these controls the Tape Echo can be used as a standard analog delay, when set accordingly, or pushed to the extremes, where the use of the Wow and Flutter, preamp gain and tape wear turn it into a wild effects generator.
The natural and organic delay trails will sit nicely in a mix giving a track its own 3D perspective, still making it blend nicely with the rest. A classic use for this module is on vocals, where the added bonus of BPM syncable delay times can make for very warm and lush echoes. Another of the staples of this kind of delay has been surf guitar, where its unmistakable signature “slap” turns an ordinary clean guitar track into a trademark sound.
Tape Echo Surf Guitar Track
Tape Echo Saturated Repeats
This audio processor module is part of T-RackS CS "Custom Shop" Mixing and Mastering Plug-In Collection. With T-RackS CS you can:
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T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia Production Srl. Audyssey™, MultEQ®, Audyssey MultEQ® are trademarks property of Audyssey Laboratories™ Inc. used under license.