The TASCAM 388 was a large format studio in one unit. It featured a standard mixer with full faders along with a tape machine section, which could perform 8-track multi-track recording. The sound of the 388 is described as "magic" by many musicians, becoming legendary over the years.
The TASCAM 388 remains the most sought-after tape recorder ever made by TEAC or TASCAM. You can easily spend $5,000 or more for a working unit today. You'll find in this officially certified plug-in version, for a fraction of the cost, the original's tone-tweaking controls and exactly the right sonic flavor to enhance your next musical production.
The T-RackS TASCAM 388 features 1 channel of the mixer and the warmth and vibe of the original tape deck, along with some additional features. You can adjust the bias and EQ of the record head, tweak the channel's 3-band parametric EQ and choose from 4 tape formulas for a variety of tape flavors. We've included a number of presets and you can easily save your own.
The TASCAM 388 was a huge success, combining a console and tape machine in one to create a real winner. Kelley Stoltz made the 388 famous again around 2001 when he used it to record some hit songs and their sound went viral. Ever since, the 388 has kept its magic status.
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TASCAM 388
Analog tape audio recorders are complex systems. They impart magic to the audio material, lifting the art within to a higher level. They add musicality to music.
What a tape machine adds to audio is the result of a number of interactions amongst several interdependent factors. More than just saturation, compression, or EQ alone, these factors work together, one affecting each other with the dynamics of music, adding a “movement” that goes into the soul of what we perceive.
Decades of music produced on these pieces of artful human engineering have tailored the way we think music should sound. It’s imprinted in our DNA.
For the T-RackS TASCAM Tape collection, each machine was chosen specifically by TASCAM and TEAC themselves, recommending particularly sought-after models from their history and helping IK source the best-sounding units. Each machine then went through a complete restoration to bring them perfectly back “to spec” before the scientific modelling process started.
IK’s DSP engineering team then took each stage apart, analyzed them in-depth, and produced a model of the entire magnetic tape-recording process. This model works in symbiosis with a powerful dynamic convolution engine to capture the essence of the real machines, faithfully bringing the complete picture of these complex analog engineering marvels to the digital realm.
The program coming out of these units is very similar to the one coming in, just better. It's subtle, but the impact is anything but.
And the T-RackS TASCAM Tape collection faithfully brings all this magic right to your DAW.
Choose from 4 different tape formulations, each with its own unique tone:
All TASCAM Tape Collection plug-ins share the same set of controls to enhance the ease of use and allow for quick A-B comparisons among them. Key features include:
Signal path selection: With “Input,” the signal only passes through the input and output electronic stages of the recorders, bypassing the tape. Depending on how the recorder is designed, the “Input” path can sound extremely transparent or just slightly more colored. “Repro” passes your signal through the entire analog recording system: input-> recording amplifier -> recording head -> tape -> playback head -> playback preamplifier -> output stage.
True Stereo: Even a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. This is good and part of the analog recording mojo! The TASCAM Tape Collection perfectly recreates these subtle differences to deliver the real experience. If perfectly identical left and right channel processing is a must, simply disable this feature.
Tape Speed: Select the speed of the tape transport between 7.5 and 15 or 15 and 30 inches per second (“ips”), depending on the tape machine used. The higher speed gives you more fidelity, and the lower speed delivers a warmer, rounder tone.
Transport Modeling: Precisely models the behavior of the mechanical transport. Small irregularities in the movement of the tape creates various degrees of sonic alteration to the audio program, especially between the two channels. Keep it on for the magic to happen! In case a perfectly steady performance is needed, just disable the control.
Record Bias: Ideal bias voltage settings provide maximum sensitivity and low distortion. Intentionally overbiasing is a common technique to produce a warmer, gently saturated sound. Underbiasing can be used to nicely boost the high frequencies in a truly unique way and add distortion and other nonlinear effects.
Like all T-RackS plug-ins, the TASCAM Tape Collection offers you two ways to work: as a stand-alone plug-in, or inside the T-RackS 5 shell. Use these together with any of the other 39 T-RackS processors to mix and master faster than ever creating a powerful, lightning-fast workflow.
The T-RackS shell offers a unique modular system with up to 16-processor chains, series & parallel routing, easy A/B/C/D comparison, up to 192 kHz / 32-bit floating point processing and much more, in both a plug-in and stand-alone mastering application.
Also included in
TEAC A-6100 MKII
TEAC A-3340S
TASCAM PORTA ONE
This audio processor module is part of T-RackS CS “Custom Shop” Mixing and Mastering Plug-In Collection. With T-RackS CS you can:
Read more about T-RackS CS
*Legal detail
T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Ampex® is a registered trademark property of Ampex Corp. Studer® is a registered trademark property of Studer International AG. Revox® is a registered trademark property of Revox AG Corporation. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia Production Srl. Audyssey™, MultEQ®, Audyssey MultEQ® are trademarks property of Audyssey Laboratories™ Inc. used under license.