What's inside

AmpliTube 4 all about hyper-realistic tone and hyper-realistic playing feel.

You get:

  • 10 Stompbox Models – Acoustic Sim, Chorus, Flanger, Opto Tremolo, Delay, Wah Pedal, Diode Overdrive, Compressor, Graphic EQ, Volume Pedal (can be controlled by external controller)
  • 9 Amplifiers – 5 Classic British Amps: Brit 8000, Brit 9000, Red Pig, Brit Silver and Brit Valve Pre, plus American Tube Clean 1, American Tube Clean 2, British Tube Lead 1, Solid State Bass Preamp
  • 10 Cabinets – 4x12 Brit 8000, 4x12 Brit 9000, 4x12 Red Pig, 4x12 Brit Silver, 4x12 Brit 30, 4x10 Open Vintage, 1x12 Open Vintage, 2x12 Closed Vintage, 4x12 Closed Vintage 1, 1x15 Bass Vintage
  • 29 vintage and modern individual speaker models
  • 4 Microphones – Double Dynamic 57, Dynamic 57, Condenser 414, Condenser 87
  • 2 Rack Effects Units – Digital Delay & Parametric EQ
  • 2 Tuners – UltraTuner plus a Fully chromatic rack tuner

If you currently own any versions of AmpliTube, all of your gear can be integrated into AmpliTube 4 by using the “restore my gear” feature in the Custom Shop. Plus, you can add any gear to your virtual guitar/bass rig at any time, day or night, with just a few simple clicks of your mouse.

New gear models included into AmpliTube 4

at4-amp-Red_Pig

Red Pig - Based on Marshall® Major™ amp head

at4-cab-3d-4x12_Red_Pig

4x12 Red Pig - Based on Marshall® Major
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_Silver

Brit Silver - Based on Marshall® Jubilee™ amp head

at4-cab-3d-4x12_Brit_Silver

4x12 Brit Silver - Based on Marshall® 2551A
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_8000

Brit 8000 - Based on Marshall® JCM800™ amp head

at4-cab-3d-4x12_Brit_8000

4x12 Brit 8000 - Based on Marshall® 1960 Lead Vintage
4x12 slanted cabinet loaded with G12-80 speakers

at4-amp-Brit_9000

Brit 9000 - Based on Marshall® JCM900™ amp head

at4-cab-3d-4x12_Brit_9000

4x12 Brit 9000 - Based on Marshall® 1960 Lead Vintage
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_Valve_Pre

Brit Valve Pre - Based on Marshall® JMP-1™ tube preamp

at4-cab-3d-4x12_Brit_30

4x12 Brit 30 - Based on Marshall® 1960A Lead Vintage
4x12 slanted cabinet loaded with V30 speakers

acoustic_comp

Acoustic Sim - Turns the electric guitar into a hyper-realistic acoustic

at4-amp-Brit_Valve_Pre

Double Dynamic 57 - A special mic setup based on a pair of Shure SM57 microphones

at4-plugin-tuner

UltraTuner The most precise digital tuner available

As a standalone software and DAW plug-in, AmpliTube 4 comes with the gear listed above. If you currently own a previous version of AmpliTube, you can use the Custom Shop feature to restore all of your gear from Custom Shop purchases and legacy gear.

Other Included Gear

Below are all the gear models you can add to your rig through the built-in AmpliTube Custom Shop feature.

Delay
This model is based on a traditional digital delay stomp pedal.
EchoMan
Based on Electro-Harmonix® Memory Man
10
A model of a classic bucked-brigade analog echo/delay (with modulation) stomp pedal effect.
Big Pig
Based on Electro-Harmonix® Big Muff Pi
15
An iconic distortion pedal that has stood the test of time. Capable of tones from smooth sustain & compression to heavy buzz-saw distortion, this pedal is perfect for all different styles of metal.
Crusher
5
This model alters the sound of the input signal by changing the sample-rate, cutoff frequency and by distorting it. This effect can produce very aggressive distorted sounds, more pronunciated than overdrive stompboxes. The Low pass filter is very creative when combined to high distortion levels.
Diode Overdrive
A model of a classic overdrive stomp effect.
Distortion
Based on BOSS® DS-1
15
First produced in 1978, this is one of the most versatile distortion boxes ever made. From subtle crunch to complete mayhem, this pedal has been used by countless guitarists of all styles.
Feedback
Based on BOSS® DF-2
15
This hard-to-find vintage unit includes a built-in oscillator for infinite sustain. Hold notes to create amazing synth-like sounds or boost solos for more cutting tone, combined with classic distortion tones.
Metal Distortion
Based on BOSS® MT-2
15
A favorite of some of the heaviest bands of all time, the BOSS® MT-2 is perfect for extreme gain and sustain. Nothing compares to this pedal for pure distortion mayhem.
Metal Distortion 2
Based on BOSS® HM-2
15
This classic from the 80’s delivers deep, distorted crunch perfect for heavy metal and hard rock. Long-discontinued, this is a rare vintage find that delivers deep, dark crunch from the 70’s, 80s, and beyond.
Overdrive
Based on BOSS® SD-1
15
One of BOSS’s earliest and most collectible pedals, the SD-1 is one of the most aggressive overdrive pedals ever made. From subtle to over-the-top, the SD-1 pushes amps harder without sacrificing clarity and tone.
OverScream
Based on Ibanez® Tube Screamer
10
This is a model of a classic overdrive/distortion pedal which has become the go to overdrive pedal for some of the most influential guitar players of all time. It's basic controls make it easy to dial in the exact sound you want.
PROdrive
Based on ProCo® Rat™
15
One of the most versatile distortion boxes ever. From smooth, light crunch, to extreme shred sustain and over-the-top gain, this pedal has been a classic ever since its release in the early 80s.
The Ambass'dor
Based on Marshall® Guv'Nor
15
This pedal is a model of a beloved 80's-era distortion pedal by a company known for making amps with amazing distortion. This model packs a whole powerful amp into a single stomp box.
Compressor
This effect is a model of a classic high end compressor. It is capable of mild compression or intense signal slamming, and does it all with a tremendous amount of finesse.
Dcomp
Based on MXR® Dynacomp™
10
This effect is modeled after a vintage compression stomp pedal.
7 Band Graphic
This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning and dialing in that perfect tone. It is also very useful when you need to “push” the signal for the next stompbox or amp.
10 Band Graphic
5
This is a clean sounding 10-band graphic EQ. Useful for dialing in a range of different tones, or to boost the input to one of AmpliTube Metal’s amps for even more extreme distortion.
Envelope Filter
Advanced filter effect
5
This stomp is an advanced filter effect. It uses the envelope of the incoming signal to control a synthesizer style filter. It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects.
LFO Filter
Stomp effect uses an LFO to modulate the frequency of its filter
5
This complex stomp effect uses an LFO to modulate the frequency of its filter. With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble.
Rezo
Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar
15
A unique effect that can add synth-like drones and sustaining resonances to your parts. Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
Step Filter
A powerful and deep beat synced filter effect
15
A powerful and deep beat synced filter effect. Can apply Low / High and Band pass analog modeled filtering on freely customizable patterns to add groove and rhythmic pulsing to your parts. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it!
Wah
This effect is modeled after the classic wah pedal used by many of the top players from the 60's and 70's. In addition to the wah effect it also features an auto function, allowing it to be used easily without an external controller. This is a new exciting feature.
Wah 10
Based on Ibanez® WH-10
15
This is a faithful rendition of a very sought-after wah pedal. Based on a multiple feedback opamp circuit, the pedal modeled here is a very expressive and unique wah pedal.
Wah 46
Based on Vox® Wah V846
15
The Wah 46 is a model of the most famous wah-wah used by Jimi Hendrix which became his signature sound in masterpiece tunes like “Voodoo Child.” Although the original had no auto-wah features, this additional functionality has been added for a more convenient usage when played on a computer. This is considered to be one of the best sounding wah-wahs of all time.
Wah 47
Based on Vox® Wah V847
15
This is an update of one of the most classic wahs of all time, heard on countless recordings from the 1970’s on.
Class Fuzz
Based on Roger Mayer™ Classic Fuzz®
15
Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
Fuzz Age
Based on Arbiter® Fuzz Face®
10
This effect is modeled after a classic germanium transistor fuzz stomp effect. Typically used on lead guitar, this effect has remained a popular distortion effect throughout the years.
Fuzz Age 2
Based on Arbiter® Fuzz Face®
10
This classic germanium transistor fuzz effect was the main fuzz box used by Jimi Hendrix. Often combined with a wah, this effect produced permanent sustain and endless distortion. The original Fuzz Face® is one of the most collectible fuzz boxes ever.
FuzzOne
Based on Maestro® FuzzTone
15
Hendrix began using this fuzz box while playing in New York City before founding the Experience. Its sounds can be heard in the enormously popular Rolling Stones song “Satisfaction.”
Octa-V
Based on Roger Mayer™ Octavia
15
This effect was first used on “Purple Haze” and “Fire.” It is a fuzz box with frequency-doubling circuitry that produces a second note an octave above the fundamental note.
Right Fuzz
Based on Mosrite™ Fuzzrite®
15
A highly sought-after, rare fuzz box, it was one of the first commercially available floor effect units, making its first appearance in 1966. It doesn’t get any more vintage than this when it comes to stomp pedals.
XS Fuzz
Based on Roger Mayer™ Axis Fuzz
15
Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
Analog Flanger
Based on BOSS® BF-2
15
One of the most flexible flangers ever made, the BF-2 delivers everything from classic tape flange to over-the-top sweeps, vibratos, chorus and more! Perfect for adding classic metal-style flange to your rig.
Chorus
This chorus is modeled after a classic Digital Chorus stomp box.
Chorus-1
Based on BOSS® CE-1
10
A model of a classic bucked-brigade analog Chorus/Vibrato unit. It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable.
Electric Flanger
Based on Electro-Harmonix® Electric Mistress
15
This stomp box is a model of a vintage flanger/filter matrix used by many well-known guitarists to achieve classic sounds. While it has amazing warmth, it is also capable of very versatile chorus and ring modulation type sounds.
Flanger
Classic Flanger Effect
This stomp box is a model of a classic Flanger effect.
Metal Flanger
Based on MXR® Flanger 117
15
A classic association with an iconic 80’s guitarist made prices erupt and flooded the market with reissues. Still, no flanger is more recognizable, making this perfect for hard-rock and metal tone.
Opto Tremolo
Based on Fender® Opto-Tremolo
This model is based on a vintage Opto-Tremolo effect.
Phaze Nine
Based on MXR® Phase 90
15
This effect is one of the most popular phase pedal of all times. Used by a wide range of first-class guitarists, this unit could add a little bit of shimmer to your solos or generate a smooth, watery effect while playing chords and muted strumming. Try the Phaze Nine on bass, keyboards or vocals.
Phazer 10
Based on MXR® Phaser 100
10
A model of a classic analog multimode Phaser stomp box.
Small Phazer
Based on Electro-Harmonix® Small Stone
15
This effect is a model of a classic analog phase shifter, capable of a range of phaser effects from gentle to outlandish swirling effects. You may wonder why it is called "small" when you hear it.
Uni-V
Based on Univox™ Uni-Vibe™
15
This was a chorus/rotating-speaker simulator that was introduced in 1969 and used predominantly in live performances. This created a swirling effect quite similar to the Leslie® speaker cabinet but with the addition of speed control. This effect was employed on tracks such as “Hey Baby (The Land of the New Rising Sun),” “Earth Blues,” and “Machine Gun.” A vintage Uni-Vibe™ is in such high demand it sells for over a thousand dollars, if you can even find one.
Harmonator
3 Voice Digital Harmonizer Effect
5
This effect is a 3 voice digital harmonizer effect. More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale. Simply select the scale to use, select the voice and the desired pitch and play. The harmonized notes will be according to the selected scale.
Octav
Based on BOSS® OC-2
10
This stomp effect is modeled after a classic dual voice octave pedal. It will produce two additional sounds, one and two octaves below the direct signal.
Pitch Shifter
This effect shifts the pitch of the incoming signal
10
This effect shifts the pitch of the incoming signal. This new pitch shifted signal is blended with the original sound to create harmony guitar leads or other types of dual pitch effects.
Wharmonator
Based on DigiTech Whammy™
15
One of the most extreme effects of all time, the original Whammy is a costly vintage find these days. From classic shred to the most aggressive modern metal, this is an essential part of any extreme guitar rig.
Volume
This model is a traditional volume pedal.
Step Slicer
Beat synced slicing effect
15
Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect. Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat.
Swell
15
This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention. Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
SVX-OD
Based on Ampeg® SCP-OD Overdrive® Model
25
This virtual stomp effect emulates the Ampeg SCP-OD Overdrive pedal. It recreates the original distortion circuit, adding upper octave harmonic content to the direct signal and creating as a result a unique overdrive effect.
SVX-OCT
Based on Ampeg® SCP-OCT Octaver® Model
25
This stomp effect is modeled after the Ampeg SPC-OCT Octaver pedal. Moving the octave knob will double your direct signal one octave below the direct signal. In this way you can make your melodic lines richer and fuller, expanding the frequency range.
Analog Chorus
Analog Chorus effect
25
A model of a classic analog Chorus/Vibrato unit provides both analog Chorus and analog Vibrato effects. When in Chorus mode the modulation will be lush and slow. When in Vibrato effect the modulation will be faster and more noticeable.
Analog Delay
Analog Delay effect
15
This model is based on a classic analog delay with modulation stomp pedal.
Bass Wah
Bass Wah effect
15
This effect is modeled after the classic Wah pedal used by many of the top players from the 60’s and 70’s. The auto option will produce the Wah effect automatically, meaning that there is no need for the manual intervention on the pedal position.
Compressor
Compressor effect
25
This effect is modeled after a vintage compression stomp pedal and can deliver a strong sustain and powerful compression with lots of character.
Envelope Filter
Envelope Filter effect
25
This stomp is a highly developed filter effect. Essentially, it uses the envelope of the incoming signal to control a synthesizer filter. The sound palette’s range of this virtual unit is wide and rich. You can enhance your bass tone adding from simple auto Wah effects to extreme filtering effects.
Volume
Volume Pedal
10
This model is a traditional volume pedal.
Fender® Blender™
Officially Certified Fender® Blender™ Model
25
A unique germanium fuzz/distortion pedal. With a tone unlike any distortion pedal on the market, the Blender™ is capable of a harsh fuzz effect, great as a tool for Psychedelic and Alternative Rock. Perfect for those who want to create instead of copying, with a bit of experimentation, this pedal can deliver a huge range of unique tones.
Volume
Volume Pedal
10
A classic volume control. Use to control the volume of your guitar signal, or in conjunction with an overdrive/distortion pedal for dynamic control of your signal boost.
Fender® Fuzz Wah
Officially Certified Fender® Fuzz Wah Model
15
A combination of a Fuzz-style distortion effect and a Wah pedal, this is two pedals in one. Due to this combination, and its Fuzz>Wah / Wah>Fuzz selector switch, the Fender Fuzz Wah is capable of effects not easily achieved by traditional units.
Fender® Phaser
Officially Certified Fender® Phaser Model
25
A Classic analog Phase shift effect as heard on countless recordings since the 1970s. The rate control knob alternately illuminates blue and red at the same rate as the phase shifting.
Fender® Tremolo
Based on the classic Fender® tube tremolo circuit
25
Now add that famous Fender® Amp Tremolo sound to any Fender® amp, or any other "Powered by AmpliTube" amp model using X-GEAR. Based on the classic Fender® tube tremolo circuit, you can adjust the speed and intensity to perfection, and add this classic effect to any amplifier setting. BPM sync function allows for automated effect syncing to your DAW tempo, or set your tempo manually to add that dramatic tremolo sparkle or darkness to your tracks.
Fender® Wah
Based on Fender® Cyber-Twin® SE Wah
25
Two distinct wah voices give this model a huge range of "wah-ptions." Switch between the traditional "Cryin'" sound, or the famous "Clyde McCoy" inspired sound, both from the same pedal. Adjust your effect frequency range with the minimum and maximum knobs, and control the amount of effect applied with the "wah" control and volume level knobs. A very inspiring pedal that will also add dramatic effects to your bass lines.
Fender® '63 Reverb
Officially Certified Fender® '63 Reverb Model
25
First introduced in the early 1960s, this classic all-tube spring reverb unit is a must have accessory for all Surf players. Blues and experimental players love it, too. It’s presented here in stomp-box form instead of its original head-style unit. The Fender Reverb is capable of producing an incredibly lush or intense crashing Reverb effect due to its post-guitar, pre-amplifier signal path and unique tube driven output.
Fender® Tape Echo
Based on Fender® Cyber-Twin® SE Tape Echo
25
A classic tape echo simulation, as seen in the Fender® Cyber-Twin®. The warmth and wobble of magnetic tape lent a wonderful ambience to the echo effects used on recordings of the last 50 years, and those sounds can be recreated easily with AmpliTube® Fender®. The Tape Echo’s controls can also be manipulated for experimental lo-fi echo effects, bringing extra creativity to your playing.
Fender® Compressor
Based on Fender® Cyber-Twin® SE compressor
25
Now get the Fender® Cyber-Twin® SE inspired compressor in a stomp box. Increase your signal gain before it hits other effects and amplifier, or use it elsewhere in your pedalboard chain to create dramatic "attack" effects. The Fender® Stomp Compressor has four detented potentiometer positions for varying degrees of gain boost and compression.
TapDelay
Creative delay effect unit
15
This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps. You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap.
Nu-Tron III
Based on Musitronics Mu-Tron® III Automatic Wah
15
This effect is based on Musitronics Mu-Tron® III Automatic Wah from 1972. It became famous through its use with keyboards. Filters allowed for low-pass, bandpass, and high-pass filter response which could be triggered from low to high frequency or vice versa.
T-Rex Moller
Officially Certified T-Rex® Moller Model
25
The T-Rex Møller is a unique overdrive pedal that creates a wide variety overdriven tones with flexible tonal control along with a separate transparent 0-20 db adjustable and switchable clean boost and a special option to mix overdriven and clean signals. The Møller was developed in 2003 for a well known Danish guitarist named Knud Møller who wanted a tube screamer but with an added clean boost. T-Rex made the custom pedal based on the Alberta and subsequently named the Møller pedal after the guitarist.
T-Rex Mudhoney
Officially Certified T-Rex® Mudhoney Model
25
The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers. The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds. With the boost function bypassed, the Mudhoney delivers moderate gain and a rich, smooth sound that many jazz guitarists prefer. The boost button engages a high gain circuit for a more aggressive sound.
T-Rex Replica
Officially Certified T-Rex® Replica Model
25
The T-Rex Replica is possibly the world’s best delay pedal. With its astonishingly warm tone it is the perfect mix of controls that delivers everything the most demanding guitarists could ask for in a delay. The Replica is used by guitar heroes from Pete Townsend to John Mayer to deliver their classic sounds.
Shape Shifter
Officially Certified Seymour Duncan® Shape Shifter™ Stomp Box Model
25
This amazing stomp box reproduces the hypnotic, pulsing tremolo sound characteristic of ‘50s tube amps. It can also produce crazy and innovative tones never heard before. With its detailed "Wave" and "Shape" controls, it is one of the most versatile tremolo stomp boxes available.
The Wave control shapes the tremolo effect from a smooth sine wave to a sharper triangle wave to the abrupt “on/off effect” of a square wave. The Shape control sets the rise and fall time of the tremolo (how fast or slow the volume increases and decreases). This adds some very different variations to the tremolo effect: with a quick swell and a slow drop, the effect is percussive like a piano. Conversely, with a slow swell and a sudden drop, the result is reminiscent of a tape played backwards.
Power Grid
Officially Certified Seymour Duncan® Power Grid Stomp Box Model
25
The Power Grid is a high gain, solid state distortion pedal capable of a myriad of tones thanks to a three-band active EQ section. It is perfect for all styles of rock.
The pedal is designed to provide powerful overdrive and distortion suitable for all kinds of rhythm and lead playing thanks to five stages of discrete Class A circuitry. This raw horsepower is managed by a multi-element gain and volume control system that provides very fine control. The tone is further refined with three bands of active EQ. Each band allows for up to 12dB of boost or cut at selectable frequencies for maximum control. This allows you to create tones with a far greater degree of surgical precision than what’s possible with any distortion pedal with a traditional passive EQ.
Booster
Based on MXR® CAE MC401Boost/Line Driver
25
The booster stomp box used by Slash. It boosts your signal up to 20 dB. It's perfect for solos, punchy rhythm parts or to drive effects harder for more dynamics and sensitivity.
X-Chorus
X-Chorus Based on MXR® M134
25
The chorus stomp box used by Slash offering great control and flexibility. Used in one of the most famous song in the history of Rock: Paradise City. Use this stomp box with Clean/Crunch settings to add shimmer and moving modulation to arpeggios or chords.
OctoBlue
Based on MXR® Blue Box™ Octave Fuzz
25
The Fuzz/Octave stomp box used by Slash. Adds fuzz to your signal and then duplicates it two octaves down. This is one of the most evil and vicious pedals!
Gate
Based on MXR® Smart Gate®
25
The gate stomp box used by Slash. It gates out noise slowly when notes are being held and quickly when they are stopped short. Three filter cut-off points are available: Hiss, Mid, or Full Band.
/Delay
Based on BOSS® DD-3
25
The digital delay stomp box used by Slash. Based on one of the most famous modern digital delays. Use this effect to add space and repetitions to your parts.
WahDist
Based on Dunlop Slash Signature Wah SW95
25
The wah pedal with integrated distortion used by Slash. One of the most classic wahs combined with powerful high gain distortion. Very useful on rock solos to add expression and bending.
Contour Wah
Officially Certified Morley® Contour Wah Pedal Model
25
One of the most versatile yet modern sounding wah pedals. Thanx to its array of controls it can be tweaked to suit many styles and sounds; the Contour and Level controls allow to fine tune the high end response and personality of the pedal from mellow to bright and cutting, while the Auto-off feature adds tremendous flexibility to the pedal’s functionality. Works with Bass guitar too!
EP Tape Echo
Based on Maestro® Echoplex™
30
The EP Tape Echo is the gold standard of vintage tape-echo units. Hendrix liked experimenting with it to produce wild psychedelic effects in the studio, and he used it heavily during the recording of Electric Ladyland.
Seek Wah
Officially Certified Z.Vex® Seek Wah Stomp Box Model
25
A wah with a 4-, 6-, or 8-step analog-style sequencer in it, featuring LEDs that light up to show the steps. The speed control governs overall sequencer tempo, and the 4-6-8 switch governs the number of steps. This pedal produces rhythmic-pattern wah sounds that are totally unique.
Seek Trem
Officially Certified Z.Vex® Seek Trem Stomp Box Model
25
Seek Trem is a tremolo pedal combined with an adjustable 4-, 6-, or 8-step analog-style sequencer. Each step has a volume knob so that you can turn it up or down in the pedal’s output, giving you complete control over the rhythmic pattern, and allowing for ultimate creativity. There’s also a knob for adjusting the pattern’s overall speed.
OCD
Officially Certified Fulltone® OCD® Stomp Box Model
25
An overdrive pedal that provides the same kind of touch sensitivity and complex harmonics that you’d get from a quality tube amp. Volume, Tone, and Drive controls let you dial in the perfect sound for your song. Take your overdriven tones to a new level with OCD.
Nirvana
Officially Certified Wampler Nirvana Chorus/Vibrato Stomp Box Model
25
As the name implies the Wampler Nirvana chorus pedal is geared towards eerie and ethereal sounds . On top of the "standard" chorus controls (Depth, Rate, Level) this pedal has a two selectors which allow to switch the chorus to vibrato (the Vib. switch) and to control the intensity of both voicings (be it chorus or vibrato) with three different levels of depth, so that the dedicated Depth knob will have a more precise action. The Tone control fine tunes the color of the modulated part, a feature which is missed on the majority of pedals.
Pinnacle Deluxe
Officially Certified Wampler Pinnacle Deluxe Stomp Box Model
25
Based on the eponymous pedal from the Wampler brand the Pinnacle Deluxe captures the original "Brown Sound" of the early plexi-style amplifiers pushed to the limits, a sound that was the trademark of many rock guitarists of the late '70s and early '80s, Eddie Van Halen to name just one... It features a dual gain stage mode: it can act as a mild overdrive to push the following amp into distortion, or via the "Boost" switch it can generate a thick amount of distortion on its own. The "Tone" knob covers the overall brightness of the distortion, while the "Contour" knob takes care of the critical midrange, allowing to scoop mids out or push them forward according tho the rhythm or lead duties it's called to serve.
Dime Wah
Based on Dunlop® Cry Baby® GCB95
25
Based on the Dunlop® Cry Baby® GCB95. Modeled with precise attention to Dimebag Darrell’s lead tones.
Flanger Doubler
Based on MXR® Flanger Doubler
25
Based on an MXR® Flanger Doubler, this model offers two effects in one. Primarily used by Dimebag Darrell in “doubler mode” to thicken in his overall tone.
Dime Noise Gate
Based on Rocktron® Hush IIB
25
Fast and very responsive. Based on the Rocktron® Hush IIB model.
Pre EQ 3
Based on Furman® PQ-3
25
Three-Band Parametric EQ based on the Furman® PQ-3 which offers great flexibility for sound shaping.
6 Band EQ
Based on MXR® 6-band EQ
25
Six-band graphic EQ based on a unit by MXR®, this was used to shape and boost the sound before the amp.
Red Special
Based on Brian May’s guitar
25
Created by a detailed study of Brian May’s famous guitar, this helps add the unique tonality and controls of the Red Special itself.
Treble Booster
Based on KAT® Treble Booster
25
Based on the original KAT® Treble Booster, this stompbox effect will enrich your guitar tone similar to Brian May’s by boosting it before it reaches the amp.
May Wah
Based on a rackmount Dunlop® Cry Baby® wah
25
Based on a rackmount Dunlop® Cry Baby® wah, modeled in the exact configurations Brian uses to shape his tone.
FOX Phaser
Based on fOXX® Foot Phaser
25
Based on fOXX® Foot Phaser, a pedal-controlled phaser with a unique and distinctive sound.
Star Gate
Base on classic noise gate
25
This noise gate helps clean up the signal chain, minimizing the noise feeding Brian’s unique amp and pedal setup.
Satch Distortion
Based on Boss® DS-1™
25
Based on Joe's personal BOSS® DS-1, an early ‘80’s Japanese-made unit, this legendary distortion unit is one of the most recognizable pedals ever made.
Satch Overdrive
Based on Boss® OD-1™
25
Based on an early ‘80s Japanese-made BOSS® OD-1, this overdrive pedal has long been a standard for ‘70s and ‘80s classic and hard rock.
Tube Overdrive
Based on Chandler® Tube Driver™
25
Based on Joe's personal Chandler® Tube Driver, this overdrive pedal offers generous distortion thanks to its onboard 12AX7 valve.
Satch Wah
Based on VOX® JS-WH Big Bad Wah™
25
Based on the Vox® Big Bad Wah, offering two inductor coils each with their own voicing, plus an extra gain drive and normal or 535-type sweep.
Satch Octave
Based on Ultimate Octave
25
Modeled on the Ultimate Octave pedal, a versatile update of the famous Octavia fuzz with a Fat / Bright switch for two different distortion & octave characters.

Stomp

 

Diode Overdrive

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Distortion

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Feedback

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Metal Distortion

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Metal Distortion 2

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Overdrive

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OverScream

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PROdrive

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The Ambass'dor

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Compressor

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7 Band Graphic

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10 Band Graphic

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Envelope Filter

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LFO Filter

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Step Filter

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Class Fuzz

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Fuzz Age

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Fuzz Age 2

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Right Fuzz

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Analog Flanger

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Chorus-1

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Electric Flanger

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Metal Flanger

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Opto Tremolo

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Phaze Nine

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Phazer 10

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Small Phazer

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Harmonator

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Pitch Shifter

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Wharmonator

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Step Slicer

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Analog Chorus

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Analog Delay

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Bass Wah

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Compressor

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Envelope Filter

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Fender® Blender™

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Fender® Fuzz Wah

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Fender® Phaser

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Fender® Tremolo

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Fender® Wah

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Fender® '63 Reverb

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Fender® Tape Echo

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Fender® Compressor

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TapDelay

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Nu-Tron III

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T-Rex Moller

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T-Rex Mudhoney

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T-Rex Replica

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Shape Shifter

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Power Grid

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X-Chorus

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OctoBlue

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Contour Wah

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EP Tape Echo

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Seek Wah

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Seek Trem

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Pinnacle Deluxe

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Dime Wah

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Flanger Doubler

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Dime Noise Gate

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Pre EQ 3

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6 Band EQ

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Red Special

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Treble Booster

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FOX Phaser

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Star Gate

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Satch Distortion

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Satch Overdrive

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Tube Overdrive

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Satch Wah

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Satch Octave

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*Legal detail

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